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Jennifer’s Art

For me, art is a story and a journey.  My journey began with making “mud sculptures” in my back yard (using actual mud) and progressed to wall hangings made with yarn and dowel rods, hours of practicing calligraphy, creating the heaviest clay bowl known to humankind (which still survives), and continuing through almost every kind of art imaginable.  I love the process of creating art and telling the stories behind it. Telling the story is part of the fun.

My current focus is on printmaking and ceramics.  I create drypoint etchings on plexiglass by hand using an etching needle, and sometimes combine this process with other printmaking techniques. I also create photopolymer gravure prints using light-sensitive metal plates and my own photographs and original drawings. I ink and print all of my images by hand in small editions.  Making ceramic vessels and sculptures is another one of the constants in my art-making journey. I make hand-built, slab, and wheel-thrown pieces and fire them outdoors using a Western-style raku process. My most recent explorations are in wood-fired ceramics.  

Crazy Train

Intaglio (dry point etching), hand-pulled print on paper, mounted on hardwood panel.

Gazing Through

Photopolymer gravure, hand-pulled print. Framed; archival mat.

The Train Never Forgets You

Intaglio (dry point etching), hand-pulled print on map. Framed; archival mat.

Wood-fired mugs

Mugs, wheel thrown with hand-made handles, wood fired.

Hakkat (A Hidden Prayer)

Intaglio (dry point etching), hand-pulled print. Framed; archival mat.

I Am the Forest

Intaglio (dry point etching)

Aspens

Intaglio (dry point etching), hand-pulled print

Pleiades

Ceramic sculpture, hand-built, raku-fired with glaze and horse hair

Mary, Undone

Photopolymer gravure, hand-pulled print

Love Shack

Intaglio (dry point etching), hand-pulled print. Framed; archival mat.

Espy Law Building

Photopolymer gravure, hand-pulled print

South of Main

Intaglio (dry point etching), hand-pulled print

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